Tuesday, April 21, 2009

Nowhere Kids - Photo Published



A friend of mine was flipping through the 2009 Tribeca Film Festival program guide and spotted a photo I had shot on set of Nowhere Kids.  Turns out this program guide was shipped inside last weeks Time Out New York Magazine.  Check out the photo below (top right).



Friday, April 17, 2009

Nowhere Kids - Tribeca Film Festival

From the Tribeca Film Festival site

Nowhere Kids

TFF2009.gif
(Nowhere Kids)
Plays In:
Shorts: Truth or Consequences

Photograph by Chris Walker


Shorts in Competition: Narrative

[STRUT] | 2009 | 18 min | Short Narrative

Directed by: Eric Juhola

USA

New York Premiere

Interests: Crime, Drama, Family Friendly, Identity, Teens
http://www.stillpointpictures.com/nowherekids

Cast & Credits

Primary Cast: Eléonore Hendricks, Evan Louison, Naomi Madsen, Rich Williamson, Donnie Mastro, Cheryl Johnston
Director:
Eric Juhola
Screenwriters:
Eric Juhola, Jeremy Stulberg, Lindsay Goldwert
Producers:
Eric Juhola, Jeremy Stulberg, Randy Stulberg
Director of Photography:
Reed Dawson Morano
Editor:
Jeremy Stulberg
Music:
Christopher Libertino
Production Designer:
Randy Stulberg

Program Notes

Eléonore Hendricks (A Guide to Recognizing Your Saints, The Pleasure of Being Robbed) is Georgia, a teen runaway on the road, searching for her biological mom. She hits a detour when she meets a group of crust-punk street kids on their way to the Mesa, a mysterious place where "rules don't exist." Out of options, Georgia must choose between her fragile family bonds and an escape to the unknown.





Fri, Apr 24, 6:15PM
AMC Village VII 7 (Map)
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Tue, Apr 28, 8:00PM
AMC Village VII 6 (Map)
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Sat, May 02, 2:45PM
AMC Village VII 5 (Map)
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Sun, May 03, 1:00PM
Tribeca Cinemas Theater 2 (Map)

Monday, April 13, 2009

exciting news

I've got some exciting news about a film of mine that I can't post yet, but had to sort of share anyways.

cheers.

Wednesday, March 4, 2009

Death on a Factory Farm



Premieres Monday, March 16th 10pm

Each year, ten billion animals are raised for consumption in the U.S., mostly on sprawling, industrialized farms, where virtually no federal laws mandate how the animals are treated - though guidelines exist - and state laws are ineffective. As a result, animals are frequently subjected to what many consider cruel treatment and inhumane conditions in the interest of economic efficiency. DEATH ON A FACTORY FARM chronicles an investigation into alleged abuses that took place at a hog farm in Creston, Ohio. This shocking documentary is produced by Tom Simon (a seven-time Emmy® winner) and Sarah Teale, producer of the 2006 HBO special "Dealing Dogs," which received two Emmy® nominations, including Best Documentary.

Three years in the making, DEATH ON A FACTORY FARM follows the undercover investigation of Wiles Hog Farm by the animal rights group The Humane Farming Association (HFA), and the resulting court case against it. The organization received a tip from an employee at the farm that animals were being abused, including a claim that hogs were being hung by chains and strangled to death as a form of euthanasia. HFA then turned to an undercover investigator (also featured in "Dealing Dogs") going by the name "Pete," who wore a hidden camera while he worked as a farmhand at Wiles.

Over the course of six weeks, Pete secretly filmed numerous disturbing scenes, including piglets being tossed into crates from across a room, impregnated sows held in pens that don't allow them to move, an unhealthy piglet being slammed against a wall to euthanize it, and a sick sow being hung by a chain from a forklift until it choked to death. Having obtained this key evidence, Pete concluded the investigation and quit his job.

HFA brought the footage to the Wayne County Sheriff's Department, which subsequently raided the farm. Prosecutors filed ten criminal charges of animal cruelty against Ken Wiles (the owner of the farm), his son Joe, and Dusty Stroud, a farm employee who participated in hanging the sow.

In the trial that followed, prosecution and defense waged a tense battle over the legality and morality of practices rarely seen by the public and described by the presiding judge as "distasteful and offensive," but defended by Ken Wiles and other members of the tight-knit Ohio farming community as the commonplace reality of producing livestock for consumption.

DEATH ON A FACTORY FARM is seven-time Emmy® winner Tom Simon's second film for HBO. Sarah Teale's previous HBO credits include "Dealing Dogs," "Bellevue: Inside Out" and "Mumia Abu Jamal: A Case for Reasonable Doubt?," which received a CableACE Award.

DEATH ON A FACTORY FARM is an HBO Documentary Films Presentation; a Working Dog/Teale-Edwards Production; produced by Tom Simon and Sarah Teale; edited by Geof Bartz, A.C.E.; music composed by Jamie Lawrence; sound and photography, Tom Simon. For HBO: supervising producer, John Hoffman; executive producer, Sheila Nevins.

Saturday, February 28, 2009

Must Read After My death



Filmmaker Morgan Dews was very close to his grandmother Allis, but it wasn’t until after her death in 2001 that he became aware of an astounding archive she’d amassed throughout the 1960s. Filled with startlingly intimate and candid audio recordings detailing her family’s increasingly turbulent lives, the collection also contained hundreds of silent home movies, photographs and written journals. Using only these found materials, Dews has fashioned a searing family portrait that affords fly-on-the-wall access to one family’s struggles amid an America on the verge of dramatic transformation. Must Read After My Death follows Allis, her husband Charley and their four children in Hartford, Connecticut. Charley’s work takes him to Australia four months each year, so the couple purchases Dictaphone recorders as a way to stay in touch throughout Charlie’s extended absences. A modern woman at least a decade ahead of her time, Allis struggles against conformity – against the conventional roles of wife and mother. She finds the recordings cathartic and, with the family’s cooperation, incorporates them into their everyday existence. When the family turns to psychologists and psychiatrists, their strife increases and the recordings turn progressively darker – even desperate. All the while, Dews employs the family’s many home movies and the seemingly placid, typically American façade that they convey, as visual counterpoint to the raw and sobering tape recordings.

Wednesday, February 4, 2009

Photograph Post IV


Nikon N75 50mm Fuji Velvia

When I shot this back in 2006 I would have never thought to be living in New York City. In fact, I hated it and swore I would never live here. I was on a big red bus tour of the city with my parents and sister, whenever I see them around the city I think back to being on one and looking down upon everyone, but looking up at everything.  Times change and now I feel like I couldn't live anywhere else.

Sunday, January 18, 2009

Photograph Post III


Nikon N75 28mm Kodak Gold 100 

This is the laundromat around the block from my apartment. I try to disturb my surroundings as little as possible, both in my compositions and in everyday situations. The way I treat my art of any kind affects the way I live my life, sometimes enhancing and other times making things harder for myself. But what would life be like without struggle?